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Working Practise

Having studied at the Royal College of Art, James Ayres is a printmaking artist who has explored the area of intaglio printing. Print is a process of creating multiple images. What makes intaglio printing special is the prints produced are limited in number. Above is a copper plate being inked up. The process involves wiping the plate’s surface so only ink hidden in the scratches and etch reveals as a print. 

The studio press here receives the metal plate, prepared soft damp paper topped with either swan skin or lambs’ wool blankets pass the inked plate through rollers under great pressure. Each individual print takes around 20 minutes or so to duplicate and these are then editioned (limited by the number of times this process is gone through. 

All of this process is completed by hand. The success of an image is determined by controlling the biting or marks made and the timing of the etch. Below are three copper plates each showing a different technique.

Drypoint 

Here the plate has been scratched or engraved with a needle. This plate has been hammered and marked to create tones. No chemicals are used and is not technically an etching.

Hard and soft ground etchings 

Here a wax layer is rolled onto the plate this is either scratched into to reveal areas for etching or in the case here a soft ground is applied and lifted when drawn through a surface. This is then etched.

Aquatint

Here a tree resin is burnt onto the copper plate which has settled as a dust. An etch is made through the burnt on resin and the tones are produced through the time the plate is spent in the etch.

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